![]() ![]() ![]() MS Cotton Tiberius A III Miscellany, 11th century.MS Cotton Otho B II Gregory the Great, Pastoral Care 11th century.Cotton Julius MS A VI Calendar and Hymnal, 11th century.Cotton Galba MS A XVIII Aethelstan Psalter, 10th century (see also: Oxford, Bodleian Library MS Rawl. ![]() Cotton Cleopatra MS C VIII Prudentius, Psychomachia, 10th century.2–53) Miscellany (Grammatical treatises, etc.), 10th century Cotton Claudius MS B IV Old English Illustrated Hexateuch, early 11th century.Arundel MS 155 Psalter (with interlinear Anglo-Saxon translations), 11th century.Arundel MS 60 Psalter (with Anglo-Saxon interlinear gloss), 11th century.Add MS 47967 Tollemach Orosius, (Anglo-Saxon translation) 10th century.Add MS 40618 Gospel Book, 10th-century additions to 8th-/9th-century manuscript.Add MS 24199, part 1 Miscellany (Prudentius, Psychomachia), 10th century.Scaligeranus 69 Aethici Istrici Cosmographia, 10th century MS B III 32 Hymnal and Aelfric, Grammar, 11th century.MS A IV 19 Collectar (Durham Ritual), 10th century.Gospel Lectionary fragment, s.n., 11th century 7 (1179) Boethius, De consolatione philosophiae, 10th century 31 (1135) Miscellany (Prosper, Cato, etc.), 10th century 18 (1042) Enchiridion Augustini, 10th century 3 (379) Rabanus Maurus, De laude crucis, 10th century 34 (369) Homilies in Anglo-Saxon, 11th century 3 (289) Arator, Historia apostolica, 10th century 2 (241) Amalarius, De ecclesiasticus officiis, 10th century MS 302 Gospel Book, or Hereford Gospels, c.MS 421 (pp. 1, 2) Anglo-Saxon Homilies, 11th century.MS 326 Aldhelm, De virginitate, 10th century.MS 198 Anglo-Saxon Homilies, 11th century.Benedict, Martyrology, etc.), 10th century MS 41 Bede, Historia ecclesiastica, 11th century.MS 23 Prudentius, Psychomachia and other poems, 10th century.MS 189 Prudentius, Carmina and Miscellanea, 11th century.MS 82 Amalarius, De ecclesiasticis officiis, 10th century.MS 14 Gospel Book, 10th and 11th century.The manuscripts are sorted by their current location. It also includes a representative sample of manuscripts with Anglo-Saxon pen-work initials. This listing includes every surviving manuscript with Anglo-Saxon miniatures, drawings, or other major decoration. For more information see Anglo-Saxon art. The Norman Conquest produced another break in English manuscript production which ended the Anglo-Saxon tradition of manuscript illumination. The new style, although drawing some elements from Insular manuscripts, also was influenced by Carolingian, Byzantine, and Mediterranean traditions. When manuscript production resumed in the later portion of Alfred's reign, a break with the previous Insular style of manuscript illumination occurred. The invasions during the reign of King Alfred the Great created a disruption in the manuscript production in England. For manuscripts produced before 900 see the List of Hiberno-Saxon illuminated manuscripts. This list includes manuscripts in Latin and Anglo-Saxon. This is a listing of illuminated manuscripts produced between 9 in Anglo-Saxon monasteries, or by Anglo-Saxon scribes or illuminators working in continental scriptoria. ( June 2023) ( Learn how and when to remove this template message) Please help to improve this article by introducing more precise citations. The overarching goal is to foster strong critical reading and thinking skills, while also developing specialized knowledge in the field of manuscript studies.This article includes a list of references, related reading, or external links, but its sources remain unclear because it lacks inline citations. This course will investigate this material through engagement with primary sources, workshops on the physical aspects of making manuscripts, visits to Special Collections and the Saint Louis Art Museum's Print Study Room. It similarly aims to look broadly across Christian, Jewish, and Islamic traditions. However, this course intentionally takes a non-chronological approach to the study of these objects, to more comprehensively explore connections across time, geography, technical practices, and patronage circles. The goal of this course is to investigate the history of illuminated manuscript production between the years 8. Not only were they often hugely expensive and highly prized by their owners, but they are also some of the most illuminating (pun intended) documents regarding artist production, patronage, devotion, and transmission of knowledge in the period we roughly define as the Middle Ages. Illuminated manuscripts are some of the most complex, intriguing, and beautiful works of art to survive from the medieval period. ![]()
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